Andrea Culková (*1977)
Biography
study: Charles University in Prague, Faculty od Education – Art Education
Dept.
Film and TV school of Academy of performaing Arts in Prague, Documentary
Film Dept.
Filmography
FILMOGRAPHY:
COMMUNIQUE / INTERNÍ SDĚLENÍ VE VĚCI ÚŘEDNÍ
Year: 2004
Colour: BW / Colour
Format: Digital BETACAM
Lenght: 33'
Cheerful essay on civil servants in which the author, drawing on rich
documentation of almost etymologic nature, describes the transformation or
conversely the passivity of civil servants at a time when they have to adapt to
outside influences of requirements and regulations imposed on them by the EU.
The civil servants are not isolated, but they belong to a special category. They
cannot escape the reach of regulations, which determine their actions. At the
same time they adjust them to fit their nature. The director, inspired by
observations of her husband, who began to change inconspicuously after switching
from a public sector job to service in the state apparatus, sees civil service
as a collection of butterflies with the most exquisitely ornamented wings, whose
flight through the offices combines geometrical precision with fantasy. At the
samen time, her observation establishes the correlation between the civil
servants' instinct and the distinctive creativity some of the specimens are
capable of, as two distinct, but mysteriously interconnected phenomena.
LIFE TO THE KILLED FROG! / ŽIVOT ZABITÉ ŽÁBĚ!
Year: 2005
Colour: BW/Colour
Format: 35mm/HDV
Lenght: 20’
How is the approach of a dead body to life different from that of a broken
machine or a finished chemical reaction? An educational satire about the eager
effort to be alive; about the transformation of the saving to those being saved;
scientific experiments; nature of amphibians; hundreds of saved lives.
BEAUTIFUL PRAGUE TO BECOME OLYMPIC? / KRÁSNÁ PRAHA OLYMPIJSKÁ
Year: 2007
Colour: Colour
Format: HDV
Lenght: 27'
Prague has applied for candidacy for the 2016 Olympic Games. An idea of the
capital turning into the world’s largest sporting venue polarizes Czech
people. Some say Prague will make it. Opponents say the country is to small and
too corrupt to bear such huge costs. A contribution to the debate on how the
Games might affect the city’s life, the documentary itself turns into a
sporting venue for arguments of both sides of the issue, architects,
politicians, economists and natural scientists.
HYGIENA / HYGIENA (Time-lapse)
Year: 2007/2014
Colour: Colour
Format: HD and Super8mm
Lenght: 90’
This film uncovers topical sociological parallels of hygienic phenomenon.
Although the meaning of the word “hygiene” is much broader, today it is
primarily linked with “cleanliness”. The film explores the heritage of a
particular city with a rich hygiene history, looking at the contextual between
the hygiene of the body, the soul and society. What is the optimal concept of
hygiene -
cleanliness? The structure of the film corresponds with an isosceles triangle
where its peaks represent different
points of view on personal, public and microscopic matters.
ZDENEK POINTS / ZDENEK VÝHYBKA (in preparation)
Year: 2010/2013
Colour: Colour
Format: HD
Lenght: 90’
The starting point of the film is the contradictory personality of Czech
modernism. Zdenek Rykr
(1900–1940) – painter, art theoretician, graphic artist, cartoonist,
journalist and graphic designer – worked with companies such as Orion, Bata,
Skoda. His permanent “borderless movement” where he mix various techniques
and different approaches became the guiding principle of his life and it makes
this forgotten artist a time-less personality – at least in
social-cultural sense.
LISE FORELL – WITHOUT BORDERS / LISE FORELL – SEM FRONTEIRAS
Year: 2010
Colour: Colour
Format: HD
Lenght: 50’/26’
This film explores Lisa Forell’s landscape of life and it’s borders.
A Brazilian artist of Czech- German descent, she was a woman ripped from family
destiny by events in 1939 and challenged to define the boundaries of personal
freedom all her life. Lisa Forell lives a sweet life full of obstacles and
permanent challenges. She is gifted with the power to overcome crisis, social
boundaries and
borders in general. Now aged 85, she is able to look at her life objectively and
without sentiment. How is it possible to define a badly lived life and a badly
painted picture?
SUGAR – BLOG / CUKR – BLOG (in preparation)
Year: 2010/2011
Colour: Colour
Format: HD
Lenght: 90’
The director, who is currently suffering from pregnancy diabetes, is suddenly
forced to give up refined sugar. Suffering from the withdrawal symptoms, she
realises how difficult it really is to give up this addictive drug and how
it’s almost impossible to find any food without sugar content in our shops.
Sugar is everywhere; in most products from a roll and bread, through
pre-prepared meals to beer. It’s in tinned vegetables, crisps, and sausages,
even in cigarettes, as well as advertising and politics (The Czech Republic as a
chair of EU). The director investigates the impact of hundreds of years of sugar
consummation on individuals and society. She discovers the huge power this white
powder has played in history right through to the present day. From discussions
with doctors and psychologists, she uncovers strong links between mental and
behavioural disorders and excessive consumption of sugar. She learns about the
crucial influence on human physical and mental functions. She asks the
questions: if we are a large society of sugar users, how does this addiction
demonstrate itself in the way our society functions? To what extent is the sweet
life the driving force of our civilization? What does this sweet life actually
look like? How far would we go to achieve the sweet life of our dreams? The
genre of the film borders on historic thriller, mixing scientific observation
and social
documentary with some real life documentary situations.